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Saturday, August 25, 2012

"Going to Church," John Updike

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John Updike 1932-2009

Going to Church...

There was a time when I wondered why more people did not go to church.  Taken purely as a human recreation, what could be more delightful, more unexpected than to enter a venerable and lavishly scaled building kept warm and clean for us one or two hours a week and to sit and stand in unison and sing and recite creeds and petitions that are like paths worn smooth in the raw terrain of our hearts?  To listen, or not listen, as a poorly paid but resplendently robed man strives to console us with scraps of ancient epistles and halting accounts, hopelessly compromised by words, of those intimations of divine joy that are like pain in that, their instant gone, the mind cannot remember or believe them; to witness the windows donated by departed patrons and the altar flowers arranged by withdrawn hands and the whole considered spectacle lustrous beneath its patina of inheritance; to pay, for all this, no more than we are moved to give—surely in all democracy there is nothing like it.  Indeed, it is the most available democratic experience.  We vote less than once a year.  Only in church and at the polls are we actually given our supposed value, the soul-unit of one, with its noumenal arithmetic of equality: one equals one equals one.

-- John Updike, Pigeon Feather and other stories (quoted in an essay by Charles E. Cole in the Quarterly Review). Read by Garrison Keillor, a Prairie Home Companion, 2/01/2009

Image result for old church at night


"Perfection Wasted" by John Updike

And another regrettable thing about death
is the ceasing of your own brand of magic,
which took a whole life to develop and market —
the quips, the witticisms, the slant
adjusted to a few, those loved ones nearest
the lip of the stage, their soft faces blanched
in the footlight glow, their laughter close to tears,
their tears confused with their diamond earrings,
their warm pooled breath in and out with your heartbeat,
their response and your performance twinned.
The jokes over the phone. The memories packed
in the rapid-access file. The whole act.
Who will do it again? That's it: no one;
imitators and descendants aren't the same.




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