John Updike 1932-2009
Going to Church...
There was a time when I
wondered why more people did not go to church. Taken purely as a human
recreation, what could be more delightful, more unexpected than to enter a
venerable and lavishly scaled building kept warm and clean for us one or two hours
a week and to sit and stand in unison and sing and recite creeds and petitions
that are like paths worn smooth in the raw terrain of our hearts? To
listen, or not listen, as a poorly paid but resplendently robed man strives to
console us with scraps of ancient epistles and halting accounts, hopelessly
compromised by words, of those intimations of divine joy that are like pain in
that, their instant gone, the mind cannot remember or believe them; to witness
the windows donated by departed patrons and the altar flowers arranged by
withdrawn hands and the whole considered spectacle lustrous beneath its patina
of inheritance; to pay, for all this, no more than we are moved to give—surely
in all democracy there is nothing like it. Indeed, it is the most available
democratic experience. We vote less than once a year. Only in
church and at the polls are we actually given our supposed value, the soul-unit
of one, with its noumenal arithmetic of equality: one equals one equals one.
-- John Updike, Pigeon
Feather and other stories (quoted in an essay by Charles E. Cole in the
Quarterly Review). Read by Garrison Keillor, a Prairie Home Companion,
2/01/2009
"Perfection Wasted" by John Updike
And another regrettable thing about death
is the ceasing of your own brand of magic,
which took a whole life to develop and market —
the quips, the witticisms, the slant
adjusted to a few, those loved ones nearest
the lip of the stage, their soft faces blanched
in the footlight glow, their laughter close to tears,
their tears confused with their diamond earrings,
their warm pooled breath in and out with your heartbeat,
their response and your performance twinned.
is the ceasing of your own brand of magic,
which took a whole life to develop and market —
the quips, the witticisms, the slant
adjusted to a few, those loved ones nearest
the lip of the stage, their soft faces blanched
in the footlight glow, their laughter close to tears,
their tears confused with their diamond earrings,
their warm pooled breath in and out with your heartbeat,
their response and your performance twinned.
The jokes over the phone. The memories packed
in the rapid-access file. The whole act.
Who will do it again? That's it: no one;
imitators and descendants aren't the same.
in the rapid-access file. The whole act.
Who will do it again? That's it: no one;
imitators and descendants aren't the same.
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