Alan: Although the following RadioLab always probes "deep waters," it can "get on one's nerves." However, the last "segment" (which begins at the 47:00 minute mark) is both "beautiful" and mind-bending. In essence, computers now produce music so good it is indistinguishable from Bach, Bartok, Vivaldi - or whatever "template."
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In this hour of Radiolab, we examine the line between language and music.
What is music? Why does it move us? How does the brain process sound, and why are some people better at it than others?
We re-imagine the disastrous debut of Stravinsky’s Rite of Spring in 1913 through the lens of modern neurology, and we meet a composer who uses computers to capture the musical DNA of dead composers in order to create new work.
Correction: An earlier version of this piece incorrectly stated the dates of two performances of “Rite of Spring” and the time that passed between them. The performance that inspired rioting occurred on May 29th, 1913. The second performance that we discussed occurred in April of 1914. The audio has been adjusted to reflect this fact.
Correction: An earlier version of this piece incorrectly stated that the “Rite of Spring” was used in the movie “Fantasia” during the part that featured mushrooms. It was in fact used during the part that featured dinosaurs. The audio has been adjusted to reflect this fact.
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