Pages

Sunday, August 28, 2016

Watch Police Pepper Spray 84-Year-Old Black Woman in Her Own Home


screen_shot_20160827_at_7.15.14_pm

Geneva Smith, 84, talks to a reporter about when police blasted her with pepper spray on Aug. 7, 2016. 

Watch Police Pepper Spray 84-Year-Old Black Woman in Her Own Home

Police in Muskogee, Oklahoma have released body cam footage of the moment when police officers were apparently so threatened by the actions of 84-year-old Geneva Smith that they felt the need to blast her with pepper spray. An attorney representing the city has defended the police action as reasonable use of force“given the totality of the circumstances.”
It all appears to have started when police began pursuing Smith’s 56-year-old son, Arthur Paul Blackmon, for running a stop sign. Blackmon refused to stop and apparently led police to his mother’s house. They asked Blackmon to come out of the house and he refused so police entered the home and used an electrical stun gun on him while he had his hands up. Several other officers then entered the residence. It is at this point that Smith appears to emerge, seemingly confused about what’s going on inside her home at 2:45 a.m. That’s when an officer instructs her to turn around. Approximately 40 seconds later, the officer decides to blast Smith with pepper spray.
Smith’s family say she had to be taken to the hospital and are demanding an apology from the police department.
Daniel Politi has been contributing to Slate since 2004 and wrote the "Today's Papers" column from 2006 to 2009. You can follow him on Twitter @dpoliti.


Trump's First TV Ad Fact Checks At One Lie Every Four Seconds

Fact Check Devastates Trump As His First Ad Averages 1 Lie Every 4 Seconds

Fact checkers have blown apart Donald Trump's first general election campaign ad, by finding that the television spot contains one lie every four seconds.
Fact checkers have blown apart Donald Trump’s first general election campaign ad, by finding that the television spot contains one lie every four seconds.
Trump’s ad begins with a favorite lie of the GOP nominee that the system is rigged against Americans. PolitiFact has rated this a pants on fire lie, “While there are isolated examples of bought local elections, experts say it cannot be replicated on a national scale. While it is possible to tamper with electronic voting machines, there is no evidence deliberate malfeasance has altered any election.”
The ad said that there is a flood of Syrian refugees coming into the US. According to an ABC News fact check, “The vetting process typically takes from 18-24 months. To expedite the process for Syrian refugees, the Obama Administration launched a surge operation with the hopes of reducing the time to three months in hopes of resettling some 10,000 refugees by fall 2016. According to the New York Times, however, the “onerous and complex web of security checks and vetting procedures” has hampered the expedited process.”
Trump’s ad claimed that illegal immigrants who commit crimes get to stay in the US, but this is also false. According to a Washington Post fact check, “We reviewed cases from 2014 and 2015 involving 76 people charged with activities relating to foreign terrorist organizations. The majority of those cases involved naturalized U.S. citizens and lawful permanent residents. There were both naturalized and natural-born U.S. citizens (including those of Caucasian, African American or Hispanic descent). Many of the naturalized citizens had arrived in the country as children, and therefore, not “recent” immigrants.”
The ad accused undocumented immigrants of skipping the line and collecting Social Security.PolitFact also rated this statement as not totally true, “Also, it’s important to note that illegal immigrants pay an estimated $12 billion in payroll taxes to Social Security and don’t receive benefits. So Trump is leaving out a significant part of the picture when it comes to taxes and undocumented workers.”
Brown Back Teeth | made w/ Imgflip meme maker

Compendium Of Pax Posts About Donald Trump
http://paxonbothhouses.blogspot.com/2016/06/compendium-of-pax-posts-about-donald.html

If Trump Wins And Your Kids Google "First Lady," Here's What They'll Get

A Catalog Of Hillary Clinton's Achievements
http://paxonbothhouses.blogspot.com/2016/08/a-catalog-of-hillary-clintons-many.html


Trump claimed that Clinton’s immigration plan would open the borders, but an AP fact check found that this wasn’t true, “It’s not true that Clinton’s plan would create open borders. Her plan does call for a pathway to citizenship that would allow people currently in the country illegally to stay, but only after going through a series of steps to become a citizen. On enforcement, Clinton has called for focusing on “detaining and deporting those individuals who pose a violent threat to public safety,” but not ending enforcement outright.”
Trump’s ad also lied about having a plan and lied about keeping the borders secure.
All total, theTrump ad managed to jam seven lies into 30 seconds. Trump is airing an ad that tells a lie to voters once every four seconds.
When Democrats suggests that Trump is running a campaign of lies, this is exactly what they are referring to. If Donald Trump is talking, or in this case, if his campaign is running a commerical, the odds are good that he/it is lying.
Never has a candidate been so willing to pile so many lies on top of each other at such a rapid pace. Donald Trump is trying to lie his way to the White House, which is why it is vital that each of the GOP’s nominee’s false statements get the scrutiny that they deserve.

Florida Man Explains His State's Weirdness

Image result for florida weirdness

Florida Man Explains His State's Weirdness

The Sunshine State has a frontier mentality and way too many people, says Craig Pittman.

http://news.nationalgeographic.com/2016/08/florida-craig-pittman-sunshine-state/?google_editors_picks=true




Cringingly Clueless: Loser Trump Won't Clarify His Position On Deportation Nor Will Pence

So, Which Shell Is My Policy Under? | made w/ Imgflip meme maker
Trump Campaign Adopts Obama's Immigration Policy - Verbatim!
http://paxonbothhouses.blogspot.com/2016/08/trump-adopts-obamas-immigration-policy.html


Immigration Flip-Flop Leaves Trump Campaign Flailing on Sunday Shows

If his campaign team’s performance on the Sunday shows this week tells us anything, it’s that even they have no idea what his “new” immigration policy is.

08.28.16 

Donald Trump's flip-flops on immigration—the centerpiece of his candidacy—left his campaign visibly befuddled on Sunday about the way forward, with his most fierce advocates ducking questions about what his actual policy will be if elected to the White House.
The politician who once spoke of a 'deportation force' did an about face earlier this week when he said he believed undocumented immigrants should pay back taxes but that they should not be deported, signaling he might be open to a legal status for these individuals.
The stunning change led to criticism from his Republican cohorts, who pointed out that his statements mirrored that of presidential candidate Trump had dismissed as ‘low energy’ -- former governor Jeb Bush
It's the question that will dominate the week ahead—at least until Trump delivers a full accounting of his policies. In the meantime, his surrogates and even his running mate seemed at a loss for words when asked to explain their boss’s puzzling immigration shift.
Asked about the so-called “deportation force” that Trump had promised, vice presidential candidate Mike Pence said that the idea was a “mechanism, not a policy”—as if there was a distinction between the two. 
“I mean, you're going to hear more detail in next two weeks that lays out all the policies,” Pence said on CNN’s “State of the Union” Sunday morning. "I think Donald Trump will articulate what we do with the people who are here... what you see going on right now—and I think, at a certain level, it's very refreshing, because it's the Donald Trump that I see every day—is, you see a CEO at work.”
Gov. Chris Christie, who chairs Trump's transition team, seemed similarly unable to elucidate precisely what Trump’s policy would be in coming days.
"There's going to be, you know, some decisions he's going to have to make as president regarding these folks, and I think what he's said [is] let's get let's first get all of the bad actors out of the country,” Christie said on ABC’s “This Week.”
Meanwhile, on CBS's "Face the Nation," Trump campaign manager Kellyanne Conway couldn't answer the question of whether undocumented immigrants would need to deport themselves or whether there would be a "deportation force." 
"That's really the question here," Conway filibustered. "He has to deal with those agencies and those individuals already responsible for this who aren't doing their jobs." 
Those who have supported Trump’s previous immigration stances are fed up. Mark Krikorian, who leads the anti-immigration Center for Immigration Studies, which is frequently cited by the campaign, told The Daily Beastearlier this week that he was a fan of the extensive immigration plan that Trump had put out last summer while running for the Republican nomination. 
"It's pretty detailed," Krikorian said. "It's just that he's never read it." 
If Trump is going to clarify his remarks, not even the chairman of the Republican National Committee seems to know exactly when that will be.
"You're going to find out from Trump very shortly. He's going to be giving prepared remarks on the issue I think very soon. I don't want to give a date," Reince Preibus dutifully told NBC’s Chuck Todd on “Meet the Press.”
Todd, asking what was likely on the minds of most viewers, replied, "Let me pause right here: We don't know? I mean that is remarkable that we don't know.”

The Best 100 Films Of The 21st Century, According To 177 Film Critics Around The World

Image result for history of violence

The best 100 films of the 21st century, according to 177 film critics around the world

Is David Lynch’s unsettling, hallucinatory meditation on Hollywood culture, Mulholland Drive (2001), really the best film of this century so far? According to 177 of the world’s foremost movie experts, yes. Yes it is.

BBC Culture surveyed film critics, academics, and curators from 36 countries across every continent (except Antarctica) to compile an international list of the top 100 films released since the year 2000.

Atop the list is Lynch’s surreal noir, followed by Wong Kar-wai’s In the Mood for Love (2000), Paul Thomas Anderson’s There Will Be Blood(2007, pictured above), and Hayao Miyazaki’s Spirited Away (2001). Richard Linklater’s Boyhood (2014) rounds out the top five.

Almost half the critics were American, and two-thirds were men. They included representatives from established publications including the New Yorker, Variety, the Toronto Star, and Le Monde, as well as some from online sites such as Indiewire and Uproxx. Each critic ranked his or her top 10, and BBC ranked the movies by number of votes.

The top 100 films are in 20 different languages, but more than half (57) are in English. The next most common language was French, with 13 films. The best year of cinema so far this century was 2012, with 10 films.

Six directors tied for the most films on the list, with three each: Paul Thomas Anderson, Wes Anderson, the Coen brothers, Apichatpong Weerasethakul, Michael Haneke, and Christopher Nolan. The Coen brothers are the only ones to have two films ranked in the top 20: Inside Llewyn Davis (2013) and No Country for Old Men (2007).

Virtually no live action comedies made the list (unless you count Wes Anderson’s The Grand Budapest Hotel or Martin Scorsese’s The Wolf of Wall Street) and only a handful of animated films made the cut, including Finding NemoRatatouille, and WALL-E.

Small and independent arthouse movies made a strong showing. Christopher Nolan’s The Dark Knight (2008) is the only superhero film to make the list, and the only other big-budget action films to appear in the rankings are Inception (also from Nolan) and George Miller’s Mad Max: Fury Road.

Even for movie buffs who have seen many of the films routinely listed on “best of” lists from the last century, this new list is likely to include some unfamiliar gems. Critics could only choose films made in the last 16 years, of course, so it’s unclear how many of these films will stand the test of time, and be remembered, say, fifty years from now.

Here are the top 100 films of the 21st century, according to the experts:
(Alan: I have seen all the asterisked movies. Those movies highlighted in purple are movies I would like to see.) 
100. Toni Erdmann (Maren Ade, 2016)
100. Requiem for a Dream (Darren Aronofsky, 2000)
100. Carlos (Olivier Assayas, 2010)
99. The Gleaners and I (Agnès Varda, 2000)
98. Ten (Abbas Kiarostami, 2002)
97. White Material (Claire Denis, 2009) (Alan: Ever since my first glimpse of this movie, I have wanted to see it.)
96. Finding Nemo (Andrew Stanton, 2003) *
95. Moonrise Kingdom (Wes Anderson, 2012) *
94. Let the Right One In (Tomas Alfredson, 2008)
93. Ratatouille (Brad Bird, 2007) *
92. The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007)
91. The Secret in Their Eyes (Juan José Campanella, 2009) * (Alan: Very good movie!)
90. The Pianist (Roman Polanski, 2002) * (Alan: Great movie!)
89. The Headless Woman (Lucrecia Martel, 2008)
88. Spotlight (Tom McCarthy, 2015) *
87. Amélie (Jean-Pierre Jeunet, 2001) (Alan: I gave up on this movie after 20 minutes. I saw NOTHING in it.)
86. Far From Heaven (Todd Haynes, 2002)
85. A Prophet (Jacques Audiard, 2009)
84. Her (Spike Jonze, 2013) *
83. A.I. Artificial Intelligence (Steven Spielberg, 2001)
82. A Serious Man (Joel and Ethan Coen, 2009)
81. Shame (Steve McQueen, 2011)
80. The Return (Andrey Zvyagintsev, 2003)
79. Almost Famous (Cameron Crowe, 2000) *
78. The Wolf of Wall Street (Martin Scorsese, 2013) * (Alan: Excellent movie. Like much of one-time Jesuit seminarian Scorsese's work, a deep plunge into moral theology and the "revelation" that "vice is its own punishment" just as "virtue is its own reward." http://paxonbothhouses.blogspot.com/2014/01/gk-chesterton-reviews-martin-scorseses.html)
77. The Diving Bell and the Butterfly (Julian Schnabel, 2007) *
76. Dogville (Lars von Trier, 2003)
75. Inherent Vice (Paul Thomas Anderson, 2014)
74. Spring Breakers (Harmony Korine, 2012)
73. Before Sunset (Richard Linklater, 2004)
72. Only Lovers Left Alive (Jim Jarmusch, 2013)
71. Tabu (Miguel Gomes, 2012)
70. Stories We Tell (Sarah Polley, 2012)
69. Carol (Todd Haynes, 2015)
68. The Royal Tenenbaums (Wes Anderson, 2001)
67. The Hurt Locker (Kathryn Bigelow, 2008)
66. Spring, Summer, Fall, Winter…and Spring (Kim Ki-duk, 2003)
65. Fish Tank (Andrea Arnold, 2009)
64. The Great Beauty (Paolo Sorrentino, 2013)
63. The Turin Horse (Béla Tarr and Ágnes Hranitzky, 2011)
62. Inglourious Basterds (Quentin Tarantino, 2009) * (Alan: I dislike Tarantino but this movie is quite good despite its glamorization of violence. The opening scene is one of the best "moments" in cinema ever.)
61. Under the Skin (Jonathan Glazer, 2013)
60. Syndromes and a Century (Apichatpong Weerasethakul, 2006)
59. A History of Violence (David Cronenberg, 2005) * (Alan: Viggo Mortensen at his best. That said, Viggo is so good that I think other Mortensen movies should be included in any catalog of "Hundred Best Movies." "Eastern Promises" is certainly "up there.)
58. Moolaadé (Ousmane Sembène, 2004)
57. Zero Dark Thirty (Kathryn Bigelow, 2012) (Alan: I only saw the trailer and thought "Zero Dark Theory) a stupid glorification of Uncle Sam's routine monstrosity.)
56. Werckmeister Harmonies (Béla Tarr, director; Ágnes Hranitzky, co-director, 2000)
55. Ida (Paweł Pawlikowski, 2013)
54. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) (Alan: Anatolia fascinates me. And anybody named "Bilge.")
53. Moulin Rouge! (Baz Luhrmann, 2001)
52. Tropical Malady (Apichatpong Weerasethakul, 2004)
51. Inception (Christopher Nolan, 2010) *
50. The Assassin (Hou Hsiao-hsien, 2015)
49. Goodbye to Language (Jean-Luc Godard, 2014)
48. Brooklyn (John Crowley, 2015) * (Alan: Great movie with stellar performances all around.)
47. Leviathan (Andrey Zvyagintsev, 2014)
46. Certified Copy (Abbas Kiarostami, 2010)
45. Blue Is the Warmest Color (Abdellatif Kechiche, 2013)
44. 12 Years a Slave (Steve McQueen, 2013) (Alan: Saw the trailer and hated it!) 
43. Melancholia (Lars von Trier, 2011) * (Alan: A difficult  movie to watch, but even so a remarkable depiction of post-modern ennui and spiritual void giving rise to cruelty as entertainment. The final scene, which deserves "The Big Screen," is breathtaking!)
42. Amour (Michael Haneke, 2012)
41. Inside Out (Pete Docter, 2015)
40. Brokeback Mountain (Ang Lee, 2005)
39. The New World (Terrence Malick, 2005) * (Alan: A lush, perfectly "plodding" movie about early colonial America... where life was lush and plodding.)
38. City of God (Fernando Meirelles and Kátia Lund, 2002)
37. Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010) (Alan: I know nothing about this movie but its title, which combined with its high score and weird director's name, make me want to see it.)
36. Timbuktu (Abderrahmane Sissako, 2014)
35. Crouching Tiger, Hidden Dragon (Ang Lee, 2000) (Alan: I'm apprehensive of this movie but a number of honored friends encourage me to see it.)
34. Son of Saul (László Nemes, 2015)
33. The Dark Knight (Christopher Nolan, 2008) * (Alan: I came away from Dark Night thinking it was an extraordinary investigation of moral theology, particularly theodicy. https://en.wikipedia.org/wiki/Theodicy)
32. The Lives of Others (Florian Henckel von Donnersmarck, 2006) (Alan: This is the movie I most want to see, in part due to friend Allan Gurganus' recommendation. http://www.indyweek.com/indyweek/surveying-the-triangle-for-faves-of-the-decade/Content?oid=1299627)
31. Margaret (Kenneth Lonergan, 2011)
30. Oldboy (Park Chan-wook, 2003)
29. WALL-E (Andrew Stanton, 2008) *
28. Talk to Her (Pedro Almodóvar, 2002)
27. The Social Network (David Fincher, 2010)
26. 25th Hour (Spike Lee, 2002)
25. Memento (Christopher Nolan, 2000) * (Alan: Too confusing, and as far as I could make out, an ending that did not compensate for the previous bewilderment.)
24. The Master (Paul Thomas Anderson, 2012) * (Alan: A surprisingly good movie!)
23. Caché (Michael Haneke, 2005)
22. Lost in Translation (Sofia Coppola, 2003) *
21. The Grand Budapest Hotel (Wes Anderson, 2014) *
20. Synecdoche, New York (Charlie Kaufman, 2008)
19. Mad Max: Fury Road (George Miller, 2015) (Alan: Friends tell me I must see this movie, but from the little I've glimpsed of "Mad Max," the more the genre impresses me as nihilism at its worst.)
18. The White Ribbon (Michael Haneke, 2009)
17. Pan’s Labyrinth (Guillermo Del Toro, 2006) * (Alan: Great movie!)
16. Holy Motors (Leos Carax, 2012)
15. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)
14. The Act of Killing (Joshua Oppenheimer, 2012) (Alan: Probably a great movie for "what it is..." but at 69 -- and with a surfeit of accumulated "issues" in my life -- I haven't the emotional stamina to watch it.)
13. Children of Men (Alfonso Cuarón, 2006)
12. Zodiac (David Fincher, 2007) * (Alan: An exceptional movie. I wonder if  I would have liked it as much were it not for my San Francisco roots and detective friends from St. Francis de Sales Cathedral Church in Oakland who felt they had "figured it out" and drew up just short of kidnapping their suspect.)
11. Inside Llewyn Davis (Joel and Ethan Coen, 2013)
10. No Country for Old Men (Joel and Ethan Coen, 2007) *
9. A Separation (Asghar Farhadi, 2011) * (Alan: Anyone who is interested in getting a good long look at Iranian culture, particularly life in Tehran, "must" see this movie. The flip side of this appraisal is to say: "Conservatives, thrust your heads even deeper in the sand.)
8. Yi Yi: A One and a Two (Edward Yang, 2000)
7. The Tree of Life (Terrence Malick, 2011) * (Alan: Great movie with a beginning and an end that many people will HATE!)
6. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004) *
5. Boyhood (Richard Linklater, 2014) * (Alan: Remarkable movie, in part for its "real time" time-lapse. I cannot imagine that anything like "Boyhood" will ever be filmed again.)
4. Spirited Away (Hayao Miyazaki, 2001)
3. There Will Be Blood (Paul Thomas Anderson, 2007) * (Alan: I thought this movie was terrible. Shoddily constructed and, if memory serves, lacking any character who inspired admiration.)
2. In the Mood for Love (Wong Kar-wai, 2000)
1. Mulholland Drive (David Lynch, 2001)

Now, if I had a ballot (I did not, perhaps for good reason), this would be my top 10:

10. Whiplash (Damien Chazelle, 2014)
9. The Hunt (Thomas Vinterberg, 2012) * (Alan: Great movie with an epilog that didn't quite work.)
8. The Grey (Joe Carnahan, 2011)
7. Step Brothers (Adam McKay, 2008)
6. Zodiac (David Fincher, 2007) *
5. American Psycho (Mary Harron, 2000)
4. The Prestige (Christopher Nolan, 2006) *
3. The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001) *
2. O Brother, Where Art Thou? (Joel and Ethan Coen, 2000) 
1. Children of Men (Alfonso Cuarón, 2006)